A loving portrait and intimate diary entry. A gently tentative film about one's own memories, childhood, and the confrontation with death as an unforeseen factor in planning security. A seminar on diary films by Serpil Turhan deals with an intimate subject and is the beginning of many very personal films by HfG students. Processing potential also unfolds in this example of HfG diary films from 2020 by Rebekka Scheib. We are drawn into a whirlpool of memories, childhood days, insights that life throws at us, or that we throw at ourselves – in remembering.

Print from the collection of the Kino im Blauen Salon (HfG KA)