In the third and final episode of the cult weekly show, the really big questions are answered: What does KD actually stand for? How do you use a hammer? And: Which parties are better, those at the Kunstakademie or the HfG? Tune in and find out!
The new - now divorced - Chancellor Christiane Linsel will also be introduced!

In the fall of 2017, the HfG cinema team discovered hundreds of historical German newsreels in the basement of a movie theater. When viewing this format, which informed viewers worldwide and up until the 1980s about current weekly events before movies, it became clear that the HfG immediately needed its own newsreel. Everything that happened in the building was documented every week and presented daily before the films in the Blue Salon.

Christian Haardt weaves a new story from ancient HfG archive material that flickers by like a dream - pure imagination!

Did you know: Christian Haardt's Vordiplom was not actually intended as a film - but as an installation! The film material was running on the editing table: an experimental film edited together from copies of students' works found in the film archive, which weaves together a wide variety of stories to create a universal story. This is the first time we have been able to show the film. Thank you for that!

Hands exchange banknotes for plastic. Spiel is a 3D documentary about the business of gambling. In atmospheric images, it observes the operation of the Baden-Baden casino.

Something very interesting happens in Bastian Epple's film: the documentary images that accompany the operation of a casino increasingly slip into an atmospheric story of people, machines and movements. The film oscillates between reality and fiction, the movements of this pendulum become ever larger and ultimately blurred.

Was wäre wenn die Blume jene Erde unter sich verabscheuen würde? Ein Gedicht wird zur Frage und fordert zum Gespräch auf – Eine erstaunlich tiefgründig endende Aktion…

Sarah Thöles Film feierte beim 4. Internationalen Zebra Poetry Film Festival 2008 in Berlin Premiere. Das kurze Gedicht des Iraner Künstlers Shooresh Fezonis wird erst zur Frage und dann zur Einladung Nachzudenken über Menschliches, Allzumenschliches. Im Naturgarten Thöle hören wir das Philosophieren der Kundinnen und Kunden während die Bilder die Blume und ihre Erde zeigen.

Legend has it that the most blatant HfG party of all time was accidentally captured for posterity in a 40-minute home video made by an unknown amateur filmmaker in 1996. However, the VHS was forgotten in a VHS player and when it went into the attic, all hope of ever finding it again was lost and gradually the video was forgotten. Almost 30 years later, media art student Pavel Pudnik stumbled across a box of discarded technology and found a VHS player inside. When he plugged it in, he couldn't believe his eyes, what he saw was the lost video, what he saw there was probably the most awesome party ever!

At the 1989 Skateboard World Championships in Münster, over 250 skaters - including legends such as Tony Hawk and Lance Mountain - compete for the title of “Champion of the World”. They celebrate the newly built pool with breathtaking tricks and daring jumps. A gripping contemporary document of the scene, which was shown at the Berlinale in 1991.

I can't miss the screening of The Simpsons Movie at Kino im Blauen Salon /
I can't miss the screening of The Simpsons Movie at Kino im Blauen Salon /
I must not miss the....
Just right! Simpsons - the movie on 35mm. A very special event, even for us. During the nerve-wracking program session for this summer semester, between all the seriousness and poetry, we came across the above-mentioned monument of cartoon film history while looking through our own copy archive and agreed pretty quickly that this copy definitely deserved to see the projector light again. Outside of any series or frame.
Things are not going well for environmental protection in Springfield when Homer literally breaks the camel's back in the lake outside the city gates. When US President Schwarzenegger then takes drastic measures and has a huge glass dome placed over the contaminated town, Homer is exposed to the fury of his fellow citizens. Springfield's inhabitants form a mob and have only one goal: to lynch Homer.

What Time Is It There? begins with a mysterious encounter: the Chinese woman Shiang-chyi is planning to go to Paris and seeks a watch with two different dials that will show her the time from home. The young street vendor Hsiao-Kang (Lee Kang-sheng) happens to own such a watch. Although he initially refuses to sell it, his thoughts of Shiang-chyi become so intense that he starts setting all the clocks in Taipei to Parisian time in an attempt to feel closer to her. In Paris, Shiang-chyi experiences strange events as well, in this quiet film-poem about time, presence, and absence. Through the juxtaposition of "Taipei" and "Paris," a subtle humor emerges in cinematic interactions across geographical distances. The two main characters are also connected through their own references to Truffaut’s Les Quatre Cents Coups (1959). A film that, in its peculiar quiet way, hints at a harmonious connection that spans the globe (Walter Ruggle).

“Orlando, the hero, will live from the days of Elizabeth in the 16th century to the present and become a woman halfway through.” This is how Virginia Woolf summarized the content of her masterpiece. When the British author published “Orlando” in 1928, she was passionately in love with Vita Sackville West. Woolf dedicated “Orlando” to the garden designer and writer from an old aristocratic family and wrote: “I have lived in you all these months - when I come out, what are you really like? Did I make you up? “In 1992, Sally Potter adapted the book into a lavish costume drama with a star-studded cast. Tilda Swinton shines in it as the androgynous Orlando, Quentin Crisp, the British icon of early gay emancipation, plays Elizabeth I in a parade role, and Jimmy Somerville (“Don't Leave Me This Way”) makes a literally angelic appearance with his falsetto voice. Hardly any other film has brought the gender discourse to the screen with so much light-footed irony and so much poetic charm.

Selling pirate film CD’s on his chart, the young man has a humble and unpretentious life, sharing a room with his construction worker mates. Till the day, when an unknown passenger from the ferry asked him about a Japanese film he had never heard of. Looking after the film but waiting for the passenger, he slowly finds himself in a passionate affection, which grows parallel to the geranium he germinated from a leaf. One day he sees the passenger in a cafe, but cannot approach to talk to her. His waiting transforms into another dimension, where the passenger doesn’t hold any more importance. The film not only depicts this passionate story of the young CD vendor, but also a ballad to a disappearing film media and its makers, a media archeology of contemporary film culture in Istanbul.

In this pitch-dark mockumentary, a camera crew accompanies the charismatic serial killer Ben, who kills people with the nonchalance of a boy next door and the eloquence of a literature professor. Along the way, he offers tips on the weight of corpses, interior design, and how to deliver mail more efficiently—literally. With biting humor and merciless satire, the film leaves an impression that is not easily shaken off.
Directed by Rémy Belvaux, Man Bites Dog becomes cynical fun, bitter social criticism, and an absurd study of the fascination with evil. It shows how easily we consume violence as long as it is well staged. When it was released, the film shocked audiences—today it is considered a cult classic that asks questions that one might prefer not to answer.

»Workin’ 9 to 5, what a way to make a livin’ | Barely getting’ by, it’s all takin’ and no givin’ | They just use your mind | And you never get the credit | It’s enough to drive you crazy if you let it«. Dolly Parton’s anthem for all exploited office workers from the 80s cult comedy of the same name gets straight to the point: They only use you, don’t appreciate you, and drive you crazy if you don’t fight back. Jane Fonda, Lily Tomlin, and Dolly Parton join forces in a plot against their misogynistic boss – determined to improve working conditions for the women who keep things running in their male-dominated company. They dream of revenge – until fantasy and reality collide and chaos takes its crazy course. With a razor-sharp script by Patricia Resnick and a brilliant ensemble cast, the film quickly became a cult film in the US and has inspired a sitcom, a musical and countless drag performances in the 45 years since its premiere.

Who doesn't know her: Pippi Longstocking, the strongest girl in the world, with the red pigtails, broad grin and her companions Mr. Nilsson and Little Uncle. Together with their friends Annika and Tommy, they experience a wild and crazy summer. When Pippi moves into the village, everything immediately seems to be turned upside down. Of course, there is a lot of trouble with adults who don't really want to see the little tomboy in their orderly world. But whatever rules and order the adults have come up with are simply thrown overboard by Pippi! From a police alarm to a cheerful bank robbery - nothing goes according to plan, and that's exactly what makes this movie such great fun for young and old. Pippi on the Run is pure joie de vivre, a firework of humor and unconventional ideas that will leave you laughing and immersed in Pippi's crazy world.

In his excessive eclecticism, the total filmmaker Godard is everything - thus also a Lacanian, an analyst of love with a sense of mirroring and entanglements, which in his system refer back to something else, something greater. Despite its allusive title, NOUVELLE VAGUE is not a recapitulation of recent film history (with the passive-aggressive Alain Delon in the leading role), but a tale of the expulsion from paradise and the return of the savior, of man and woman, of Tristan and Isolde, of reincarnations of words and images hidden beneath the layers of the web of thought. Acta est fabula.

Northern Malady is a memory of lost things: of a last vacation together, of the wind and the water, of dreams and silence.

In October 2017, Gerrit Kuge went to Scotland with a team of three to find images for a film idea that began there a few years ago. The team found what they were looking for on a small Scottish island, far out on the Atlantic Ocean. The raw landscape of the Scottish Hebrides provided images that propelled Kuge's story of tumbling memories in the film.

Legend has it that the most blatant HfG party of all time was accidentally captured for posterity in a 40-minute home video made by an unknown amateur filmmaker in 1996. However, the VHS was forgotten in a VHS player and when it went into the attic, all hope of ever finding it again was lost and gradually the video was forgotten. Almost 30 years later, media art student Pavel Pudnik stumbled across a box of discarded technology and found a VHS player inside. When he plugged it in, he couldn't believe his eyes, what he saw was the lost video, what he saw there was probably the most awesome party ever!

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

A view of a building site in Karlsruhe, the city of building sites. The so-called "observations" have been produced at the HfG since 2009. Professor Thomas Heise introduced this exercise, in which two formal requirements shaped the films: everyone was assigned a roll of 16mm film (approx. 11 minutes) and had to observe something. No sound was recorded and the films were developed by hand in a chemical bucket.

Since 2009, the so-called “Observations” have been created at the HfG. Professor Thomas Heise introduced this exercise, in which two formal requirements shaped the films: Each participant was assigned a roll of 16mm film (approx. 11 minutes) and had to observe something. No sound was recorded, and the films were developed by hand in a chemical bucket.

A music video for the Karlsruhe band Kammerflimmer Kollektief: a nocturnal ramble through the city and a look into the windows of others. It's no secret that Kammerflimmer Kollektief and Bernd Schoch are close: they contributed the music to some of his films, most recently to Olanda, which won the dokKa Prize of the City of Karlsruhe in 2019. In return, Bernd Schoch gave them this music video, which, after a long drive through the dark night, finally discovers the band in one of the many windows and sits down in front of it.

In 2008 - at the height of the financial crisis - the then Federal President Horst Köhler visits the HfG. There he was given an exclusive guided tour by Peter Weibel and Peter Sloterdijk...
A guided tour could hardly be more educational, as you have the opportunity to look over the shoulders of intellectual greats such as Peter Sloterdijk and Peter Weibel. The then Federal President visits the HfG; its student René Frölke captured in concentrated black and white how the improvised media art discourse of the aforementioned gentlemen is colored by the longing for reflection on the real economy.